Behind the Book: Translators Franca Fritz and Heinrich Koop

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I have a very exciting interview this week! I’m talking to two of the foreign translators of The Next Together! Franca and Hein are a married couple who work together to translate texts into German for publication. As they are currently working hard to turn all of my ‘that’s what she said’ jokes into something that makes sense auf deutsch – which is definitely a formidable task – I knew I had to ask them how they do it!

What does your job involve?

Our job involves reading, translating and localising all sorts of texts – e.g. marketing letters, manuals, non-fiction and fiction – from a source language into a target language, in our case English and Dutch into our mother tongue German.

(Never the other way round, because English and Dutch are not our native languages and we will not be able to translate a German text into a foreign language as good as a native speaker of English or Dutch).

By the way: Our sincere apologies for all language mistakes and typos we are going to make while answering these questions.

How did you get started in translation? Did you do any work experience?

We started translating while still studying foreign languages at the University of Cologne: We did some test translations for a publishing house in Cologne. They were happy with our work and gave us our first contracts. Our translating work evolved from there and let to setting up our translation agency in 1988.

How does working in a team with another translator affect your work?

Since we are not only partners in business but also a married couple we have to be very careful while discussing translation issues. A »fight« over the question where to put a comma (and where not!) can easily run out of hand and affect the evening at home …

On the plus side: you have always someone to review a text and to re-enact love scenes 😉

How do you approach translating things that are specific to a certain language – like idioms, jokes and metaphors?

We intend to »rescue« as much as possible, but some jokes – especially puns and play on words – just don’t work in another language. So we try we build in these kind of specific aspects at other parts of the text, so that in the end the »sum« of idioms, jokes and metaphors is still the same.

Would different translators approach translating a text in unique ways? How do you think that this changes the finished work?

Give a text to 10 translators and you’ll get 10 different translations – especially since German lends itself to a quite flexible sentence construction. But they all strive to stay true to the original as much as possible!

How has the experience been of translating The Next Together so far? How do you approach translating the epistolary elements of the book?

The Next Together is quite demanding to translate, because you’ll find three (or four) different periods of time – 1745, 1854 and 2019/2039 – and they all require an appropriate style of speech. So we have to jump between an »old fashioned« way of talking and a very modern way of expressing oneself including internet slang and abbreviations.

Is there anything you would like to see happen more in the future of the publishing industry?

Well, we can’t speak for the publishing industry in general, but for translators a closer working relationship with living authors (obviously) would help a lot. And a bit more recognition for translators and their work couldn’t hurt either 😉

What are some of your favourite translated books? Are there any books you’d love to see translated which haven’t been?

That is really hard to say. Of course all books we have translated during the last twenty odd years are our »babies« and we love them all.
And we would love to see an English translation of a new series of children’s book by German writer Sonja Kaiblinger: »Scary Harry«.

It is about a Grim Reaper (Harold who is fed up with his job) and his young friends Otto and Emily (and their pet bat named Vincent) solving all sorts of mysteries, e.g. who kidnapped the ghosts which were living in Otto’s house? The story and characters are really funny and cute and not at all creepy!

What advice do you have for anyone looking to get into translation?

Of course you should have a passion for foreign languages (and the culture of other countries and all other aspects of daily life there), but much more important is a love for your own mother tongue. A lot of people tend to forget: It is not enough to be rather good at a foreign language, you need to have a solid foundation in your own tongue in order to be able to translate all kind of texts and stay true to different styles.

Has being involved in publishing changed how you read books for pleasure? Which language do you prefer to read in?

Since we read a lot for our work, reading books for pleasure has changed for us: First of all we need to find time to squeeze in any reading that is not work related. And secondly it is hard not to think about the question whether the book might lend itself for translation. We are always on the lookout for new exciting manuscripts.

There isn’t any language we prefer to read in. If we do speak the language we prefer to read the original. If we pick a book which has been written in a language we can not make sense of we take the German translation. For us it is the easiest way to get to know the content and to get an impression of the style of the author (hopefully).

francaFheinranca Fritz and Heinrich Koop have been translating for more than 25 years. They have translated in excess of 200 books as well as working for several well-known German and international clients from a wide range of sectors. They live in a small village on the Isle of Man. You can find them on their website at:

The German edition of The Next Together will be published by Loewe Verlag in 2016.

Published by Lauren James

Lauren James is the twice Carnegie-nominated British author of many Young Adult novels, including Green Rising, The Reckless Afterlife of Harriet Stoker and The Loneliest Girl in the Universe. She is a RLF Royal Fellow, freelance editor and screenwriter. Lauren is the founder of the Climate Fiction Writers League, and on the board of the Authors & Illustrators Sustainability Working Group through the Society of Authors. Her books have sold over a hundred thousand copies worldwide and been translated into six languages. The Quiet at the End of the World was shortlisted for the YA Book Prize and STEAM Children’s Book Award. Her other novels include The Next Together series, the dyslexia-friendly novella series The Watchmaker and the Duke and serialised online novel An Unauthorised Fan Treatise. She was born in 1992, and has a Masters degree from the University of Nottingham, where she studied Chemistry and Physics. Lauren is a passionate advocate of STEM further education, and many of her books feature female scientists in prominent roles. She sold the rights to her first novel when she was 21, whilst she was still at university. Her writing has been described as ‘gripping romantic sci-fi’ by the Wall Street Journal and ‘a strange, witty, compulsively unpredictable read which blows most of its new YA-suspense brethren out of the water’ by Entertainment Weekly. Lauren lives in the West Midlands and is an Arts Council grant recipient. She has written articles for numerous publications, including the Guardian, Buzzfeed, Den of Geek, The Toast, and the Children’s Writers and Artist’s Yearbook 2022. She has taught creative writing for Coventry University, WriteMentor, and Writing West Midlands.

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